If You Like, Then You’ll Like: Book Edition

It’s time for another “if you like this, then you’ll probably enjoy this” article. Truth be told, I find most of the books I desire to read by looking up similar stories to some of my favorites. Not all of the time are they accurately depicted as being similar, although I find it interesting that people pair together certain novels based on unique vibes they share. I often do this with films as well, or even music when I try to encapsulate the feeling of a story beyond the page. For this post, I tried to stick to one well known novel and pair it with one or more lesser known stories that I feel can be considered written for the same audience. There will be some throwbacks in here, as well as a mix of genres. 

First, this one is for fans of Leigh Bardugo. The Shadow and Bone trilogy, as well as the Six of Crows duology, have both re-entered the spotlight (if they’d ever left) due to the premier of the 2021 Netflix series Shadow and Bone. While I love all of Bardugo’s work, the trilogy will always hold a special place in my heart because of how impactful it was when I first read it years ago. For that reason, I’m going to suggest that if you enjoyed those books, you might want to check out Deathless by Catherynne M Valente and The Bear and the Nightingale by  Katherine Arden. Perhaps the most obvious connection between all of these stories are the Slavic (particularly Russian) folklore influence they embody. They are fantasy novels, although Deathless is an incredibly strange and somewhat hard to read story at first. I loved it, although I still cannot say with confidence that I understand 100% of what occurred in that novel. 

Moving on to all of those Elven and Fae lovers, of course there is Sarah J Maas and Holly Black. I often find that it is challenging to suggest new reads to people who follow these authors because typically everyone has already read the books I recommend because we all couldn’t get enough of the former. I would say that Uprooted by Naomi Novik, An Enchantment of Ravens by Margaret Rogerson, The Bridge Kingdom by Danielle L. Jensen, and The Unseelie Prince by Kathryn Ann Kindsley are all similar in woodland fantasy appeal. 

For fans of dark academia and Donna Tartt, I’ve already written an extensive post on some of the best D.A. novels I’ve had the pleasure of finding, and you can read that here.

Last, for fans of A Darker Shade of Magic by V. E. Schwab, I’d recommend The Name of the Wind by Patrick Rothfuss and oddly enough Things in Jars by Jess Kidd. Both of these recommendations have less to do with plot and are more closely related to Schwab’s novels through the atmosphere of the story. They evoke a sense of adventure through a strange and unique writing style. The characters are all ambitious and a bit wicked, which I think is a wonderful combination for a narrator because it keeps the plot entertaining. 

Serpent & Dove by Shelby Mahurin

I’ve had a copy of Serpent and Dove in my possession for a while now, but I became so distracted by my hectic life that the book fell towards the back of my large TBR pile. It wasn’t until a friend recommended the book to me with the preface of “witches in baroque France” that I finally realize I needed to read it. I can say, I definitely wasn’t disappointed. 

The book fluctuates between the two narrators, Lou and Reid. Louise le Blanc is a runaway witch, squatting in an abandoned theater attic with her two other mischievous companions. Reid Diggory is a Chasseur, akin to the police force of the Church, whose sole intention is to capture witches and weed out all sources of magic in Cesarine. After a slight mishap in a poorly designed thieving adventure, Lou finds herself quite literally intertwined with the man chasing her down—Captain Diggory. Unable to escape with her life unless she abides by the Archbishop’s rules, Lou is forced to marry Reid, much to his own disdain, and the two are thrust into an unfortunately chaotic marriage. However, Reid still does not know who his wife truly is, nor does Lou know her husband beyond rumors and accusations. 

If you’re looking for a book to help get you out of a reading slump, or simply one that won’t take forever to become invested in, THIS is the book for you. The introductory chapters are fast paced and packed with action. Shelby Mahurin is a wonderful writer, and the story flowed effortlessly without any choppy bits or strange wording. The imagery of baroque France flashes between warm patisseries, cobblestone streets, mansions with unfurling grassy yards, dusty theater storage rooms, and a cathedral transformed into a dormitory for Chasseurs. Oh, and the witches who dwell beyond the woods. Can’t forget that. 

While the main characters rush to piece together their lives and the livelihood of their people, a secret keeps them distant and wary enough that their newfound love hangs in a balance. I found myself dreading certain scenes that I knew would have to occur, and I really enjoyed the honesty and raw depiction of grief. It made me feel closer to Lou in particular, especially towards the end. I will also add that if there was one thing that threw me off a bit, it might have been the amount of secrets that were eventually exposed. After starting the book, you’ll realize that there has to be a reckoning of some sort during the finale. However, there were even more secrets that were revealed than I had even considered to be present in the first place. It almost felt like “you get a tragic backstory!” and “you get a tragic backstory!” over and over. Especially since the little plot twist was used on more than one character, yet with the same concept in mind. (I won’t say more on that for fear of being a spoiler.)

As a debut novel, I think Mahurin did an exceedingly well job. As I mentioned before, I really enjoyed this story! I hope to read the sequel soon. 

My Rating: 3.5 of 5 stars.
Goodreads Review Link. 

Shadowsong by S. Jae-Jones

*This review does contain spoilers. Please do not read it if you haven’t already read Wintersong or its sequel, Shadowsong. This is also an ARC review—and material in the finished copy is subject to change.

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Wintersong by S. Jae-Jones was one of my top three favorite books last year. I was highly anticipating the sequel because of the way in which the first book left us hanging, wondering if Liesl and her Goblin King would ever reunite. In Jones’ lush, austere world of eighteenth-century Bavaria, you find yourself emerged in a story that feels more imbued in folklore than the average genre of fiction. And I LOVE that. The whole time I read Shadowsong I felt the same ambiance as I did in the first novel, even though the first one mostly takes place under the earth and this one traverses between Vienna and our protagonist’s village.

Jones has such a beautiful writing style that brings forth emotions of great heartache and longing for something you might have never experienced, but have heard stories enough that you could almost imagine such an agony. My love for the prose aside, the pace of this story does start out a bit slow.

Unfortunately, I felt that the story never really picked up until the halfway mark or even slightly after that. Perhaps this is because I was anticipating interactions between Liesl and the Goblin King, not Liesl and her siblings. While I enjoyed reading more about Käthe and Josef, I felt like they took up the story and any traces of the main characters from book one were replaced by their tales. This wouldn’t be so bad! If the last book didn’t end with such a cliffhanger about said two characters.

There was definitely a sense of peace and finality at the end of the book, but I was still left longing for more romance between Liesl and Der Erlkönig. I was hoping for a lot more interaction between them. The last moments they share on page made me tear up, but I still wish there were more scenes between the two in this sequel. After all, this is promoted as a YA Romance and I felt the romance aspect severely lacking because there was little to no interaction between the main pairing—just a lot of pining and longing (which is only well-used subtly and in the beginning of a story).

Der Erlkönig didn’t even come across as the same character we fell in love with in Wintersong. He was basically absent most of the book, and although there is a plot-related reasoning for this bizarre behavior, it wasn’t developed enough to make sense until the final pages where the reader is left feeling a bit cheated.

I did, however, particularly enjoy the mention of the Wild Hunt. That has always been a favorite tale of mine, and to have the Goblin King be its head leader me see him as a more antagonistic character, even if he had little control over the matter. It made the story darker than I had thought it could be—which was great.

      “Looming in the shadows was a figure, skin night-black and eyes moon pale. Fingers broken and gnarled like desiccated vines curled around the neck of a violin, the resin cracked and pulled with age. A crown of horns grew from a nest of cobwebs and thistledown, but the face that stared back at me was human. Familiar.”

      Ultimately this book just didn’t sit well with me. The first novel is fantastic, but I feel as though this one was similar to when you’re trying to finish an essay and give up on the conclusion so you just reiterate the first few sentences. I’m really upset by this, but that’s truly how I feel.

My Rating: 3/5
Goodreads link.

Being Picky About What You Read

Being Picky About What You Read

I think its reasonable for readers to be picky about what content they’re obtaining when they look for new books. To be honest, many of the novels that are currently occupying the breathing space in my bedroom (I have to walk around the stacks of books just to find my mattress) are ones that were either sent to me from publishers or authors, or ones that friends loaned to me with the secret intent of never seeing those books again. Luckily I found a donation bin near my old library where I can drop off the ones I know I’ll never get to, but recently I went to that bin and found that it was overflowing with books. There is even a clear sign on the crate that states “please do not leave books outside if bin is full.” But as it turns out, I’m leaving to go to college in less than a week and my cottage sized home is already bursting with luggage and cardboard boxes. So I did what I could— fit as many books as I could cram into the donation bin, called the number on the bin for a quick pick-up, and then drove off with half of the books still in my car.

This probably seems so strange and random of me to be mentioning, but it actually brought to mind something that has always been nagging me. I feel as though many of the readers I meet both online and offline always have a preferred genre that they stick to when trying to find new books. I’m not exception to this rule, because I adore fantasy novels over everything else. While half of the books I own aren’t ones that I’ve picked for myself, the half that I did buy on my own time are all ones with warrior heroines on the covers; dragons, knights, castles, magic. You name it, it’s on there. But for me, those are the best types of novels. A love story between two high school students or a science-fiction piece about the apocalypse just doesn’t draw me in as much as a story about a wandering mage or a medieval executioner would. So while I’ve tried to force myself to enjoy genres other than fantasy… it usually never works out. With the exception of one of my favorite novels, The Secret History by Donna Tartt, I often stray from contemporary (for example) because I feel as though I’ve already read those stories because I’m living in that world currently. Perhaps one of the reasons I do adore Tartt’s novel so much is because it was the only contemporary/ thriller to draw me in as much as a high fantasy would.

I find that readers, particularly bloggers, will force themselves to try genres that they know they won’t really enjoy because they want to broaden their scope of stories. And truly, I think that’s wonderful! It makes sense, right? But for me, and I’m sure this applies to others as well, each time I try a certain genre that’s not my preferred cup of coffee, I end up having a bad experience with it because in the back of my head I know there are a thousand more fantasy books I could be reading of which I would love plenty more than the off-chance I pick up a romance novel.

I also feel that it’s important to bring up the diversity issue in regards to book genres. While I’ve probably just exhausted your eyes with my blathering on about how I love fantasy… I also have to recognize that it doesn’t contain as much diversity as other genres, particularly Young Adult contemporary. In recent years, the YA contempt. sections have experienced a massive influx of diverse stories, and I couldn’t be more inspired to see it. It’s something that every book being published needs to include, no matter the content or “historical accuracy” (a weak argument I’ve seen far to many times to even want to delve into on this post). So that being said, I’ve tried my hardest to search for the fantasy novels that include a diverse cast of characters and portray them in correct/ positive ways. Needless to say, it wasn’t on easy feat. But that’s in part due to the fact that there aren’t too many diverse fantasies being published, and for the ones that are, occasionally the synopsis won’t draw me in. Remember what I said about being picky? On one hand it’s a blessing because you’re more likely to enjoy the book your reading, but on the other hand the book you’re reading may have many faults or might take you forever to find.

All that being said, below is a list of my favorite books. And yes, they’re mostly fantasy.


  • The Secret History by Donna Tartt— Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last – inexorably – into evil.

 

  • An Enchantment of Ravens by Margaret Rogerson— Isobel is a prodigy portrait artist with a dangerous set of clients: the sinister fair folk, immortal creatures who cannot bake bread, weave cloth, or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and Isobel’s paintings are highly prized among them. But when she receives her first royal patron—Rook, the autumn prince—she makes a terrible mistake. She paints mortal sorrow in his eyes – a weakness that could cost him his life. Furious and devastated, Rook spirits her away to the autumnlands to stand trial for her crime. Waylaid by the Wild Hunt’s ghostly hounds, the tainted influence of the Alder King, and hideous monsters risen from barrow mounds, Isobel and Rook depend on one another for survival. Their alliance blossoms into trust, then love, violating the fair folks’ ruthless Good Law. There’s only one way to save both their lives, Isobel must drink from the Green Well, whose water will transform her into a fair one—at the cost of her Craft, for immortality is as stagnant as it is timeless. Isobel has a choice: she can sacrifice her art for a future, or arm herself with paint and canvas against the ancient power of the fairy courts. Because secretly, her Craft represents a threat the fair folk have never faced in all the millennia of their unchanging lives: for the first time, her portraits have the power to make them feel.

 

  • The Star-Touched Queen by Roshani Chokshi— Maya is cursed. With a horoscope that promises a marriage of death and destruction, she has earned only the scorn and fear of her father’s kingdom. Content to follow more scholarly pursuits, her whole world is torn apart when her father, the Raja, arranges a wedding of political convenience to quell outside rebellions. Soon Maya becomes the queen of Akaran and wife of Amar. Neither roles are what she expected: As Akaran’s queen, she finds her voice and power. As Amar’s wife, she finds something else entirely: Compassion. Protection. Desire…But Akaran has its own secrets—thousands of locked doors, gardens of glass, and a tree that bears memories instead of fruit. Soon, Maya suspects her life is in danger. Yet who, besides her husband, can she trust? With the fate of the human and Otherworldly realms hanging in the balance, Maya must unravel an ancient mystery that spans reincarnated lives to save those she loves the most…including herself.

 

  • Flame in the Mist by Renée Ahdieh—The only daughter of a prominent samurai, Mariko has always known she’d been raised for one purpose and one purpose only: to marry. Never mind her cunning, which rivals that of her twin brother, Kenshin, or her skills as an accomplished alchemist. Since Mariko was not born a boy, her fate was sealed the moment she drew her first breath. So, at just seventeen years old, Mariko is sent to the imperial palace to meet her betrothed, a man she did not choose, for the very first time. But the journey is cut short when Mariko’s convoy is viciously attacked by the Black Clan, a dangerous group of bandits who’ve been hired to kill Mariko before she reaches the palace. The lone survivor, Mariko narrowly escapes to the woods, where she plots her revenge. Dressed as a peasant boy, she sets out to infiltrate the Black Clan and hunt down those responsible for the target on her back. Once she’s within their ranks, though, Mariko finds for the first time she’s appreciated for her intellect and abilities. She even finds herself falling in love—a love that will force her to question everything she’s ever known about her family, her purpose, and her deepest desires.

 

  • Wintersong by S. Jae-Jones— All her life, nineteen-year-old Liesl has heard tales of the beautiful, mysterious Goblin King. He is the Lord of Mischief, the Ruler Underground, and the muse around which her music is composed. Yet, as Liesl helps shoulder the burden of running her family’s inn, her dreams of composition and childish fancies about the Goblin King must be set aside in favor of more practical concerns. But when her sister Käthe is taken by the goblins, Liesl journeys to their realm to rescue her sister and return her to the world above. The Goblin King agrees to let Käthe go—for a price. The life of a maiden must be given to the land, in accordance with the old laws. A life for a life, he says. Without sacrifice, nothing good can grow. Without death, there can be no rebirth. In exchange for her sister’s freedom, Liesl offers her hand in marriage to the Goblin King. He accepts. Down in the Underground, Liesl discovers that the Goblin King still inspires her—musically, physically, emotionally. Yet even as her talent blossoms, Liesl’s life is slowly fading away, the price she paid for becoming the Goblin King’s bride. As the two of them grow closer, they must learn just what it is they are each willing to sacrifice: her life, her music, or the end of the world.

 

  • Shadow and Bone by Leigh Bardugo—Surrounded by enemies, the once-great nation of Ravka has been torn in two by the Shadow Fold, a swath of near impenetrable darkness crawling with monsters who feast on human flesh. Now its fate may rest on the shoulders of one lonely refugee. Alina Starkov has never been good at anything. But when her regiment is attacked on the Fold and her best friend is brutally injured, Alina reveals a dormant power that saves his life—a power that could be the key to setting her war-ravaged country free. Wrenched from everything she knows, Alina is whisked away to the royal court to be trained as a member of the Grisha, the magical elite led by the mysterious Darkling. Yet nothing in this lavish world is what it seems. With darkness looming and an entire kingdom depending on her untamed power, Alina will have to confront the secrets of the Grisha . . . and the secrets of her heart.

 

  • Scourge by Gail Z. Martin—The city-state of Ravenwood is wealthy, powerful, and corrupt. Merchant Princes and Guild Masters wager fortunes to outmaneuver League rivals for the king’s favor and advantageous trading terms. Lord Mayor Ellor Machison wields assassins, blood witches, and forbidden magic to assure that his powerful patrons get what they want, no matter the cost. Corran, Rigan, and Kell Valmonde are Guild Undertakers, left to run their family’s business when guards murdered their father and monsters killed their mother. Their grave magic enables them to help souls pass to the After and banish vengeful spirits. Rigan’s magic is unusually strong and enables him to hear the confessions of the dead, the secrets that would otherwise be taken to the grave. When the toll exacted by monsters and brutal guards hits close to home and ghosts expose the hidden sins of powerful men, Corran, Rigan and Kell become targets in a deadly game and face a choice: obey the Guild, or fight back and risk everything.

 

  • The Architect’s Apprentice by Elif Shafak— In her latest novel, Elif Shafak spins an epic tale spanning nearly a century in the life of the Ottoman Empire. In 1540, twelve-year-old Jahan arrives in Istanbul. As an animal tamer in the sultan’s menagerie, he looks after the exceptionally smart elephant Chota and befriends (and falls for) the sultan’s beautiful daughter, Princess Mihrimah. A palace education leads Jahan to Mimar Sinan, the empire’s chief architect, who takes Jahan under his wing as they construct (with Chota’s help) some of the most magnificent buildings in history. Yet even as they build Sinan’s triumphant masterpieces—the incredible Suleymaniye and Selimiye mosques—dangerous undercurrents begin to emerge, with jealousy erupting among Sinan’s four apprentices. A memorable story of artistic freedom, creativity, and the clash between science and fundamentalism, Shafak’s intricate novel brims with vibrant characters, intriguing adventure, and the lavish backdrop of the Ottoman court, where love and loyalty are no match for raw power.

 

  • Deathless by Catherynne M. Valente— Koschei the Deathless is to Russian folklore what devils or wicked witches are to European culture: a menacing, evil figure; the villain of countless stories which have been passed on through story and text for generations. But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the twentieth century. Deathless, however, is no dry, historical tome: it lights up like fire as the young Marya Morevna transforms from a clever child of the revolution, to Koschei’s beautiful bride, to his eventual undoing. Along the way there are Stalinist house elves, magical quests, secrecy and bureaucracy, and games of lust and power. All told, Deathless is a collision of magical history and actual history, of revolution and mythology, of love and death, which will bring Russian myth back to life in a stunning new incarnation.

 

  • A Darker Shade of Magic by V. E. Schwab—Kell is one of the last Antari—magicians with a rare, coveted ability to travel between parallel Londons; Red, Grey, White, and, once upon a time, Black. Kell was raised in Arnes—Red London—and officially serves the Maresh Empire as an ambassador, traveling between the frequent bloody regime changes in White London and the court of George III in the dullest of Londons, the one without any magic left to see. Unofficially, Kell is a smuggler, servicing people willing to pay for even the smallest glimpses of a world they’ll never see. It’s a defiant hobby with dangerous consequences, which Kell is now seeing firsthand. After an exchange goes awry, Kell escapes to Grey London and runs into Delilah Bard, a cut-purse with lofty aspirations. She first robs him, then saves him from a deadly enemy, and finally forces Kell to spirit her to another world for a proper adventure. Now perilous magic is afoot, and treachery lurks at every turn. To save all of the worlds, they’ll first need to stay alive.

 

  • The Raven Boys by Maggie Stiefvater—“There are only two reasons a non-seer would see a spirit on St. Mark’s Eve,” Neeve said. “Either you’re his true love . . . or you killed him.” It is freezing in the churchyard, even before the dead arrive. Every year, Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue herself never sees them—not until this year, when a boy emerges from the dark and speaks directly to her. His name is Gansey, and Blue soon discovers that he is a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble. But Blue is drawn to Gansey, in a way she can’t entirely explain. He has it all—family money, good looks, devoted friends—but he’s looking for much more than that. He is on a quest that has encompassed three other Raven Boys: Adam, the scholarship student who resents all the privilege around him; Ronan, the fierce soul who ranges from anger to despair; and Noah, the taciturn watcher of the four, who notices many things but says very little. For as long as she can remember, Blue has been warned that she will cause her true love to die. She never thought this would be a problem. But now, as her life becomes caught up in the strange and sinister world of the Raven Boys, she’s not so sure anymore.

 

  • Daughter of Smoke and Bone by Laini Taylor—Around the world, black hand prints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky. In a dark and dusty shop, a devil’s supply of human teeth grows dangerously low. And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war. Meet Karou. She fills her sketchbooks with monsters that may or may not be real, she’s prone to disappearing on mysterious “errands”, she speaks many languages – not all of them human – and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she’s about to find out. When beautiful, haunted Akiva fixes fiery eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?

 

  • The Mists of Avalon by Marion Zimmer Bradley— Here is the magical legend of King Arthur, vividly retold through the eyes and lives of the women who wielded power from behind the throne. A spellbinding novel, an extraordinary literary achievement, THE MISTS OF AVALON will stay with you for a long time to come….

 

  • Vixen by Rosie Garland— Rosie Garland’s extraordinary tale is a story of superstition and devotion in the time of the Black Death and will bewitch both new readers and fans of her much-loved debut, The Palace of Curiosities. Devon, 1349. In Brauntone, where seagulls screech across the fields and the wind has a mind to change, Father Thomas arrives as the new priest. Determined to impress his congregation, he quells fears of the coming pestilence with promises of protection. For Anne, the priest’s arrival is an opportunity that at sixteen, she feels all too ready for. Convinced a grand fate awaits, she moves in as Thomas’s housekeeper, though hopeful of something more. But his home is a place without love or kindness. So when a strange, mute Maid is discovered, washed up in the marshes, and taken in, Anne is grateful for the company. Their friendship is to give Anne the chance of a happiness she thought she’d never know. But soon the plague strikes Brauntone, spreading panic. And as the villagers’ fear turns to anger, Thomas must sacrifice anything to restore their faith in him.

 

  • An Ember in the Ashes by Sabaa Tahir— Laia is a slave. Elias is a soldier. Neither is free. Under the Martial Empire, defiance is met with death. Those who do not vow their blood and bodies to the Emperor risk the execution of their loved ones and the destruction of all they hold dear. It is in this brutal world, inspired by ancient Rome, that Laia lives with her grandparents and older brother. The family ekes out an existence in the Empire’s impoverished backstreets. They do not challenge the Empire. They’ve seen what happens to those who do. But when Laia’s brother is arrested for treason, Laia is forced to make a decision. In exchange for help from rebels who promise to rescue her brother, she will risk her life to spy for them from within the Empire’s greatest military academy. There, Laia meets Elias, the school’s finest soldier—and secretly, its most unwilling. Elias wants only to be free of the tyranny he’s being trained to enforce. He and Laia will soon realize that their destinies are intertwined—and that their choices will change the fate of the Empire itself.

 

  • Heartwood by Freya Robertson— A dying tree, a desperate quest, a love story, a last stand. Chonrad, Lord of Barle, comes to the fortified temple of Heartwood for the Congressus peace talks, which Heartwood’s holy knights have called in an attempt to stave off war in Anguis. But the Arbor, Heartwood’s holy tree, is failing, and because the land and its people are one, it is imperative the nations try to make peace. After the Veriditas, or annual Greening Ceremony, the Congressus takes place. The talks do not go well and tempers are rising when an army of warriors emerges from the river. After a fierce battle, the Heartwood knights discover that the water warriors have stolen the Arbor’s heart. For the first time in history, its leaves begin to fall… The knights divide into seven groups and begin an epic quest to retrieve the Arbor, and save the land.

 

  • The Tiger’s Daughter by K. Arsenault Rivera—The Hokkaran empire has conquered every land within their bold reach―but failed to notice a lurking darkness festering within the people. Now, their border walls begin to crumble, and villages fall to demons swarming out of the forests. Away on the silver steppes, the remaining tribes of nomadic Qorin retreat and protect their own, having bartered a treaty with the empire, exchanging inheritance through the dynasties. It is up to two young warriors, raised together across borders since their prophesied birth, to save the world from the encroaching demons. This is the story of an infamous Qorin warrior, Barsalayaa Shefali, a spoiled divine warrior empress, O-Shizuka, and a power that can reach through time and space to save a land from a truly insidious evil.

 

  • Elfland by Fred Warrington—Rosie Fox is a daughter of the Aetherials, an ancient race from the Spiral—the innermost realm of the Otherworld—who lives secretly among us. Yet she and her kind are bereft of their origins, because on Earth, in a beautiful village named Cloudcroft, the Great Gates between worlds stand sealed. Her parents, Auberon and Jessica, are the warm heart of Cloudcroft and of Rosie’s loving family. But on the hill lives the mysterious, aloof Lawrence Wilder, Gatekeeper to the inner realms of Elfland. Tortured by private demons, he is beset by trouble on all sides: his wife has vanished and his sons Jon and Sam are bitter and damaged. Lawrence is duty bound to throw open the Gates every seven years for the Night of the Summer Stars, a ritual granting young Aetherials their heritage, their elders vital reconnection to their source. Lawrence, however, is haunted by fears of an ever-growing menace within the Spiral. When he stubbornly bars the Gates, he defies tradition and enrages the Aetherial community. What will become of them, deprived of the realm from which flows their essential life force? Is Lawrence protecting them—or betraying them? Growing up amid this turmoil, Rosie and her brothers, along with Sam and Jon Wilder, are heedless of the peril lurking beyond the Gates. They know only that their elders have denied them their birthright, harboring dark secrets in a conspiracy of silence. When Sam is imprisoned for an all-too-human crime, age-old wounds sunder the two families…yet Rosie is drawn into his web, even as she fears the passions awoken in her by the dangerous Wilder clan. Torn between duty and desire, between worlds, Rosie unwittingly precipitates a tragedy that compels her to journey into the Otherworld, where unknown terrors await. Accompanied by the one man most perilous to her life, she must learn hard lessons about life and love in order to understand her Aetherial nature…and her role in the terrifying conflict to come.

 

  • The Bone Witch by Rin Chupeco— “The beast raged; it punctured the air with its spite. But the girl was fiercer.” Tea is different from the other witches in her family. Her gift for necromancy makes her a bone witch, who are feared and ostracized in the kingdom. For theirs is a powerful, elemental magic that can reach beyond the boundaries of the living—and of the human. Great power comes at a price, forcing Tea to leave her homeland to train under the guidance of an older, wiser bone witch. There, Tea puts all of her energy into becoming an asha, learning to control her elemental magic and those beasts who will submit by no other force. And Tea must be strong—stronger than she even believes possible. Because war is brewing in the eight kingdoms, war that will threaten the sovereignty of her homeland…and threaten the very survival of those she loves.

 

  • The Song of Achilles by Madeline Miller—Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their difference, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper – despite the displeasure of Achilles’ mother Thetis, a cruel sea goddess. But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfill his destiny. Torn between love and fear for his friend, Patroclus goes with him, little knowing that the years that follow will test everything they hold dear.

 

  • The Name of the Wind by Patrick Rothfuss—Told in Kvothe’s own voice, this is the tale of the magically gifted young man who grows to be the most notorious wizard his world has ever seen. The intimate narrative of his childhood in a troupe of traveling players, his years spent as a near-feral orphan in a crime-ridden city, his daringly brazen yet successful bid to enter a legendary school of magic, and his life as a fugitive after the murder of a king form a gripping coming-of-age story unrivaled in recent literature. A high-action story written with a poet’s hand, The Name of the Wind is a masterpiece that will transport readers into the body and mind of a wizard.

An Enchantment of Ravens by Margaret Rogerson

An Enchantment of Ravens by Margaret Rogerson

 

This book is a spring banquet of ripe grapefruit wine, a summer morning beneath swaying willow trees, an autumnal bonfire deep in the woods, and a wintry dusk backset to the wind.

….At least it made me feel that way. Rogerson killed the imagery game.

I’ve been waiting for a very long time for a book like this to come out. I’ve always been obsessed with faeries and elvish folklore, and while I’ve read just about every book related to those mythologies nothing ever seemed quite right. Sure, all of the characters had pointy ears, magical powers, and lived somewhat near the forest, but that’s about where the similarities cut off. I wanted a story where the Fae were humanoid with tree roots for limbs and flowers for lips, where they worshipped nature instead of just lived in it— something closer to the rendition of Celtic folklore including the Wild Hunt, changelings, and caverns beneath the earth. And I’m so happy to say that An Enchantment of Ravens was that book for me.

Our narrator is a young portrait artist named Isobel who lives in a village called Whimsy where it is eternally summer. Her Craft— a form of human creativity that cannot be done by Fair Folk without risk of harm—is legendary for someone her age, and various Fair Ones come to visit her parlor to be painted, if only for a small price. All masters of Craft receive enchantments as a form of payment, but if worded wrong these wishes can go awry. Isobel always wishes for practical things and words them right, much to the delight of her regular client and wish-granter Gadfly. But upon one of his usual visits, Gadfly tells Isobel that she should expect the Autumn Prince soon. And while she gets to know Rook more intimately than any of her other clients, she accidentally paints mortal sorrow into his eyes. For this, the price is grave, and now Rook must take Isobel to his home, the Autumnlands, to stand trial for what she has done. However, they might never make it there with what lurks between her world and his kingdom.

The writing, the plot, the characters, the romance….everything in this book is a treat. At first I thought that it might be a bit fast-paced because it’s just a tad smaller in length to some of my more recent reads, but that’s definitely not the case. It was well thought out from the start to the finish with no “filler” scenes or rushed pivotal moments. I took my time reading this book and it really helped me delve into the setting so much so that I felt a deep connection with the main characters by the commencement of the final page.

As I’ve mentioned before, one of the deal-breaking moments for me was the rendition of the Fae. The Fair Folk in this book cannot lie, are harmed by iron, have humanoid skins they wear as a disguise to hide their more monstrous forms underneath, live in places made of all things natural, and (my favorite) don’t have emotions. Supposedly.

One thing that always stood out to me amongst these other faerie novels was that the authors were quick to include emotion of some sort amongst their kind, wherein the original tales depicted the Fae as cruel, often vindictive and evil characters that didn’t feel human emotion and rather loved to toil with it for their own reprieve. That being said, the only romance featured in this book is saved for the main characters—which I thought was a wonderful decision as opposed to the usual minor “ships” that are often sidelined and then forced to fulfill plot devices. Also, it made the story seem more like a fairytale which was entirely the vibe I got from it (a morbid, eerily beautiful fairytale at that).

“He was no more able to understand the sorrow of a human’s death than a fox might mourn the killing of a mouse.”

Not to be dramatic, but I think I’ve found my favorite YA male protagonist as well. I had gone into this book believing that the Autumn Prince would be brooding with a side of dark humor (you know the type, I’m sure) but you can imagine my utter surprise when I find that Rook is, in fact, quite the opposite. He is good-natured, apologizes whenever he thinks he’s upset someone even when he hasn’t, doesn’t understand human emotion and finds it terrifying, and has a deep love for autumn. There were many hysterical moments between Rook and Isobel but I won’t mention them here because they’re something you should experience on your own. However, I will say that when someone bows or curtsies to a Fair One, that Fae must return the gesture immediately.

His character development is prominent throughout the story, as is Isobel’s, but I won’t mention more for fear of spoiling you. Rest assured, there were many things I picked up on that had changed from the beginning to the end, and they changed for the better. I also adore the way in which his physical descriptor was written: “…against his golden-brown complexion, which put me in mind of late-afternoon sunlight dappling fallen leaves.” And I think it’s important to note that he has ADHD, something my brother suffers from, and I found it refreshing to see this trait with a main character for a change. Did I mention that he can also transform into a dark horse and a raven?

I’ve already re-read this story three times and each time brings about stronger emotions for me. This is one of those books that you’ll want to revisit frequently because it plays with your heart in ways no other stories have (at least that’s the case for me)! The ending was wild, and while everything was answered and little to no ties were left untangled, I still want more. As of now I believe this is a stand-alone, but if there were ever a sequel in it’s future there would be plenty of things to write further more from where this book ended. If not that, then you can expect I’ll be dabbling in my fair share of Fanfiction. Enough said: READ THIS BOOK.

My Rating: 5/5
Goodreads Link: X

And because I’m so enraptured with this tale, I did a little makeup look inspired by the Autumnlands! It’s nothing overly magnificent because I just recently discovered my love for makeup, but it’s certainly something else. Who knows, I’d still wear this to class.

Eyeshadow: Modern Renaissance by Anastasia Beverly Hills
Liquid Eyeliner: Kat Von D
Elf Ears: Geekling Creations on Etsy

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Wintersong by S. Jae Jones

Read this review on GoodReads.
My Rating: 5/5

“She was never a hothouse flower. She is a sturdy oak tree. If her leaves have fallen, then she will bloom again come spring. She was not ready to die when she gave her life to me. But she did anyway, because she loved, and loved deeply.”

I went into this book with high expectations….and those expectations we’re blown away entirely with the magnitude of this story. It was phenomenal. This book truly resonated with me. It’s rustic, atmospheric quality compared with it’s whimsical plot and even more estranged characters made for an epic fantasy like none other I’ve read in a long time. Fans of Uprooted by Naomi Novik will appreciate the eerie personification that nature plays in this tale. What felt like a folkloric retelling but was actually an original, genuine piece of literature, Wintersong follows a young girl as she rediscovers her childhood self through love, responsibility, and sacrifice… all while doing so beneath silt and soil of the Earth.

Nineteen-year-old Innkeeper’s daughter Liesl has grown up in a sleepy village on the boarders between woodlands and Bavaria. While her younger sister is being groomed for marriage, and her brother preparing for an upcoming apprenticeship with a renowned composer, Elisabeth is constantly fussing over the wellbeing and success of her siblings. The only time she allots for herself is to revel in her passion— composing music of her own dark, melancholy nature. As a child, Liesl would roam deep into the Goblin Grove and play for the Goblin King—luring him out from beneath the earth to sing and dance and revel with her. But as time passes, Liesl’s fiery nature fades into the recesses of her soul. She focuses on everyone else around her but herself. It isn’t until her sister, Käthe, is stolen by the Goblin King to be his bride that our protagonist is drawn from her grey stupor and thrown back into the world of spellbinding fantasy. But Elisabeth has known all this time that no fantasy comes without a price, and her childhood adventures with Der Elkönig, The Goblin King, won’t compare to the game she is about to partake in. Elusive, powerful, and ferocious, Wintersong is a book that forces you to read it in two sittings or less.
Jones’s writing style reminds me of early British literature, not because it was hard to follow, but because of how smoothly it all flowed— as if being read like a song rather than a novel. Very fitting, indeed, for a book with a large element of music! Taking place in nineteenth century Bavaria, a lot of the terminology was derived from Germanic languages, which I thought made the setting seem more potent. Don’t worry though, it’s not overused and I found the occasional non-English quotes to be easily understood even though I can only speak English (but am learning a few other languages at the moment. *Props to my bilingual friends! You’re all incredibly talented). Most often the terms Der Elkönig (The Goblin King) and Mein Herr (My King) are used, because we never truly find out the main male protagonist/antagonist’s name until quite late into the story (if at all).

One of the most endearing things about this tale is how Jones offers the heroine’s character development in light of her younger self. She portrays not a protagonist who was once a meek, quant little thing with barely a kindle to a bonfire— rather, Elisabeth was always a bonfire of her own making, and her development resided in remembering how to live carefree and brave like she was as a child; playing her violin for the Goblin King deep in the woods. Jones created a main character who goes through two types of character development: the one where the heroine experiences new things that morph her journey for the better, and the second where the heroine revisits old strengths and embraces what was always within her, molding it into armor. That being said, I found Elisabeth to be a very intriguing and insightful narrator. I was definitely a fan of reading this story through her perspective. (But personally, I’d die to read some of these scenes via Der Elkönig’s perspective!)

There are many aspects that I’m still curious about, but of course we will most likely find those answers in the sequel! For starters, although most of this novel was spent Underground, back in the mortal realm Josef, Elisabeth’s younger brother, is transforming into a famous musician…with a very endearing young man to help compose alongside him. Käthe, their sister, is a peculiar character that I’m still curious about and hope to read more of, because she was vital to our heroine’s adventure so I desire to see her sister’s own journeys in the sequel. And of course, there’s the huge spoiler that shall not be revealed that will invoke plenty of stress and tears once you’ve read the tale to it’s bitter end. I would very much like to see the answers to THAT plot twist. (Side note: painful ending + long wait = sobbing, theorizing, and fanfiction!)

Wintersong will be a book that I always remember. It’s unique in it’s design, and highly imaginative. The way the story made me feel while reading it is an emotion indescribable, but a powerful one nonetheless. I can only hope that at least one other person experiences this tale the way I did—because now I’m craving a walk into the woods whereupon I’ll sadly attempt to play an instrument to lure out my own King of the Goblins. So do yourself a favor and read this book. I will forever recommend it.

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And because I enjoyed this tale so wonderfully, here’s a little soundtrack I’ve composed that made reading it slightly more magical!

SoundCloud link.

Tracklist

no.1  Winter Breath by Adrian Von Ziegler
no.2  Vow by Julianna Barwick
no.3  A Winters Tale by Jeremy Soule
no.4  Winter Rain by Hanan Gobran
no.5  Winter (full) by Antonio Vivaldi
no.6  Arrival of the Birds by The Cinematic Orchestra
no.7  Saturn by Sleeping at Last
no.8  Love by Daughter
no.9 Willow Tree March by The Paper Kites