a24 films as books

a24 films as books

I tend to relate many of my novel reviews to films, which speaks to my highly visual mind. Even while reading, we are always imagining the scenes based off of what crumbs we are given, be it a small, often vague depictions, or a vivid account of the picturesque. After finishing a book, I will often piece together images in my head of what a film trailer for that story might appear like. This further extends to playlists, costumes, people I would think best fit the characteristic descriptions, and so forth. It is why so many readers grow wary or suspicious when film adaptations of certain novels are announced. The room for error once a written piece is offered up to producers becomes overwhelming, because the treasure of reading rather than watching is that we all conjure up different stories from the same book. The groundwork is laid bare, but we are the ones that pull it apart and reimagine the authors narrative through our own. This is why I tend to enjoy art house films a bit more than the usual kind, particularly movies from studio a24. There is something wonderful to be found in the strange and sometimes macabre scenes of films like Midsommar, The Green Knight, and The Witch. These movies are fairytale like, derived from archaic folklore and set up to feel as though the viewers are turning the pages of a moth-riddled storybook. It is because of this that I’ve decided to list some books that I think fans of these films might enjoy. These recommendations are by no means reflective of the films I paired them with, but I personally found similar aesthetics between both the cinematic and literary atmosphere they embody. 

All synopses from Goodreads.

The Green Knight, dir. David Lowery (2021)

The Name of the Wind by Patrick Rothfuss— Told in Kvothe’s own voice, this is the tale of the magically gifted young man who grows to be the most notorious wizard his world has ever seen.  The intimate narrative of his childhood in a troupe of traveling players, his years spent as a near-feral orphan in a crime-ridden city, his daringly brazen yet successful bid to enter a legendary school of magic, and his life as a fugitive after the murder of a king form a gripping coming-of-age story unrivaled in recent literature.  A high-action story written with a poet’s hand, The Name of the Wind is a masterpiece that will transport readers into the body and mind of a wizard. 

In the Night Wood by Dale Bailey—American Charles Hayden came to England to forget the past. Failed father, failed husband, and failed scholar, Charles hopes to put his life back together with a biography of Caedmon Hollow, the long-dead author of a legendary Victorian children’s book, In the Night Wood. But soon after settling into Hollow’s remote Yorkshire home, Charles learns that the past isn’t dead. In the neighboring village, Charles meets a woman he might have loved, a child who could have been his own lost daughter, and the ghost of a self he thought he’d put behind him. And in the primeval forest surrounding Caedmon Hollow’s ancestral home, an ancient power is stirring. The horned figure of a long-forgotten king haunts Charles Hayden’s dreams. And every morning the fringe of darkling trees presses closer. Soon enough, Charles will venture into the night wood. Soon enough he’ll learn that the darkness under the trees is but a shadow of the darkness that waits inside us all.

Between Two Fires by Christopher Buehlman— The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon. There, she tells Thomas, she will fulfill her mission: to confront the evil that has devastated the earth, and to restore to this betrayed, murderous knight the nobility and hope of salvation he long abandoned. As hell unleashes its wrath, and as the true nature of the girl is revealed, Thomas will find himself on a macabre battleground of angels and demons, saints, and the risen dead, and in the midst of a desperate struggle for nothing less than the soul of man.

Midsommar, Ari Aster (2019)

Uprooted by Naomi Novik— Agnieszka loves her valley home, her quiet village, the forests and the bright shining river. But the corrupted Wood stands on the border, full of malevolent power, and its shadow lies over her life. Her people rely on the cold, driven wizard known only as the Dragon to keep its powers at bay. But he demands a terrible price for his help: one young woman handed over to serve him for ten years, a fate almost as terrible as falling to the Wood. The next choosing is fast approaching, and Agnieszka is afraid. She knows—everyone knows—that the Dragon will take Kasia: beautiful, graceful, brave Kasia, all the things Agnieszka isn’t, and her dearest friend in the world. And there is no way to save her. But Agnieszka fears the wrong things. For when the Dragon comes, it is not Kasia he will choose.


Winterset Hollow by Jonathan Edward Durham— Everyone has wanted their favorite book to be real, if only for a moment. Everyone has wished to meet their favorite characters, if only for a day. But be careful in that wish, for even a history laid in ink can be repaid in flesh and blood, and reality is far deadlier than fiction . . . especially on Addington Isle.Winterset Hollow follows a group of friends to the place that inspired their favorite book-a timeless tale about a tribe of animals preparing for their yearly end-of-summer festival. But after a series of shocking discoveries, they find that much of what the world believes to be fiction is actually fact, and that the truth behind their beloved story is darker and more dangerous than they ever imagined. It’s Barley Day . . . and you’re invited to the hunt.

Perfume by Patrick Süskind— In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille’s genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the “ultimate perfume”—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity. 

The Witch, Robert Eggers (2015)

Pine by Francine Toon— They are driving home from the search party when they see her. The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she’s gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren’s mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father’s turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it’s no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times. 

Deathless by Catherynne M. Valente— Koschei the Deathless is to Russian folklore what devils or wicked witches are to European culture: a menacing, evil figure; the villain of countless stories which have been passed on through story and text for generations. But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the twentieth century. Deathless, however, is no dry, historical tome: it lights up like fire as the young Marya Morevna transforms from a clever child of the revolution, to Koschei’s beautiful bride, to his eventual undoing. Along the way there are Stalinist house elves, magical quests, secrecy and bureaucracy, and games of lust and power. All told, Deathless is a collision of magical history and actual history, of revolution and mythology, of love and death, which will bring Russian myth back to life in a stunning new incarnation. 

The Heretic’s Daughter by Kathleen Kent— Martha Carrier was one of the first women to be accused, tried and hanged as a witch in Salem, Massachusetts. Like her mother, young Sarah Carrier is bright and willful, openly challenging the small, brutal world in which they live. Often at odds with one another, mother and daughter are forced to stand together against the escalating hysteria of the trials and the superstitious tyranny that led to the torture and imprisonment of more than 200 people accused of witchcraft. This is the story of Martha’s courageous defiance and ultimate death, as told by the daughter who survived. Kathleen Kent is a tenth generation descendant of Martha Carrier. She paints a haunting portrait, not just of Puritan New England, but also of one family’s deep and abiding love in the face of fear and persecution.

Lighthouse, Robert Eggers (2019)

All the Murmuring Bones by A. G. Slatter— Long ago Miren O’Malley’s family prospered due to a deal struck with the Mer: safety for their ships in return for a child of each generation. But for many years the family have been unable to keep their side of the bargain and have fallen into decline. Miren’s grandmother is determined to restore their glory, even at the price of Miren’s freedom. A spellbinding tale of dark family secrets, magic and witches, and creatures of myth and the sea; of strong women and the men who seek to control them. 

The Fisherman by John Langan— In upstate New York, in the woods around Woodstock, Dutchman’s Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other’s company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It’s a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

Things in Jars by Jess Kidd— Bridie Devine, female detective extraordinaire, is confronted with the most baffling puzzle yet: the kidnapping of Christabel Berwick, secret daughter of Sir Edmund Athelstan Berwick, and a peculiar child whose reputed supernatural powers have captured the unwanted attention of collectors trading curiosities in this age of discovery. Winding her way through the labyrinthine, sooty streets of Victorian London, Bridie won’t rest until she finds the young girl, even if it means unearthing a past that she’d rather keep buried. Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems. Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.

Wild: From Lost to Found on the Pacific Crest Trail

Eight years ago, I sat in a dark theater expecting to watch a film about a woman going on a hike. I don’t particularly remember when I stared crying—perhaps it was the final scene where Reese Witherspoon took a few fawn-like steps across a vacant bridge overlooking swaths of bluish grey sky and towering pines interwoven with thick fog as El Cóndor Pasa by Simon & Garfunkel echoed in the distance. Maybe it was earlier on, when I started noticing that this was no mere movie about a long walk. I felt as though I had gone on the journey with Cheryl, so much so that once the fluorescent lights cascaded against us voyeurs, I was struck with a deep longing. Immediately after, I picked up the memoir by Cheryl Strayed. 

Wild: From Lost to Found on the Pacific Crest Trail is a story about redemption and the healing power of nature. After losing her mother, her marriage, and any last lingering hope for a better future, Cheryl spent the early half of her twenties drowning in grief and making poor life decisions. Four years later, something changed. Blinded by her own sorrows, and with nothing more to lose, she decided to hike the Pacific Crest Trail, which runs from the Mojave Desert up the coast to Washington state, with no training and no travel companions—a desperate last reach upwards to haul herself out of the dark water. 

This was both cathartic and suspenseful, brimming with potent imagery of the west coast and all of the dangers hiding beneath its grandeur beauty. Untrained and lost in more ways than one, the protagonist not only faces lethal creatures and possible stumbles off the side of a cliff, she walks the path of a lonely woman on a trail championed mostly by men. As depicted in both the novel and the film, there is a slight anxiety mentioned of what occurs when a woman is alone in the middle of the nowhere, yet Cheryl finds that the people on this trail are similar to her in that they are hiking to heal, or to experience the euphoria of completing such a strenuous plight. It is a heartwarming notion that evokes a sense of community found amongst fellow wanderers, and it provided Cheryl with the push she needed to start breaking down her guarded heart. Nature does that, it seems. The laborious efforts that go into conquering the PCT can bring a person to breaking point, and it is then that nature begins to heal. Some people might find it crazy to want to push one’s body and mind to such extremes, although there is a massive payoff that does not get enough attention. Being alone, submersed between mountains, streams, and desserts, with nothing but your own inner turmoil to conquer and the trail ahead, people find that reaching the end of the hike is gratifying in more than just a show of physical strength—it’s a mental strength too. You can cry and scream as much as you want on the trail, so long as you leave it behind, pick yourself up, and carry on. That is the essence of this memoir, and that is why this book has become so dear to me as a novice hiker myself (side note: I’ll be heading back to Washington state next week to hike Mount Storm King, so maybe I should drop the novice title).

The final shot of the film reflects the last passage of the novel. Overlapping the song, flitting like birds between the canopy, Witherspoon’s voice recites the last words:

What if all those things I did were the things that got me here? What if I was never redeemed? What if I already was?

It took me years to be the woman my mother raised. It took me 4 years, 7 months and 3 days to do it, without her. After I lost myself in the wilderness of my grief, I found my own way out of the woods. And I didn’t even know where I was going until I got there, on the last day of my hike. Thank you, I thought over and over again, for everything the trail had taught me and everything I couldn’t yet know.

How in 4 years, I’d cross this very bridge. I’ll marry a man in a spot almost visible from where I was standing. Now in 9 years, that man and I would have a son named Carver and a year later, a daughter named after my mother, Bobbi. I knew only that I didn’t need to reach with my bare hands anymore. That seeing the fish beneath the surface of the water would be enough…that it was everything. My life, like all lives, mysterious, irrevocable, sacred, so very close, so very present, so very belonging to me. 

How wild it was, to let it be?

winter wrap-up

Books Read in Winter 2017

  • Heart of the Fae by Emma Hamm
  • Veins of Magic (#2) by Emma Hamm [series rating 4/5]
  • Circe by Madeline Miller [4/5]
  • Flux by Orion Vanessa [3/5]
  • The Sun & her Flowers by Rupi Kaur [5/5]
  • Pond by Claire-Louise Bennett [4/5]
  • Little Women by Louisa May Alcott [3/5]
  • Cry of the Firebird by Amy Kuivalainen
  • Ashes of the Firebird (#2) by Amy Kuivalainen
  • Rise of the Firebird (#3) by Amy Kuivalainen [series rating 3.5/5]
  • Shadowsong (#2) by S. Jae-Jones [3.5/5]
  • The Faerie Queen by Edmund Spenser [5/5]
  • Stolen Songbird by Danielle L. Jensen [3/5]
  • The Changeling Sea by Patricia A. McKillip [5/5]
  • A Taste of Honey by Kai Ashante Wilson [4/5]

—All in total, I’d say winter 2017 was a decent reading season. I tried to read some books I’ve never heard of before I stumbled upon them, and even a few sequels here and there. The Faerie Queen was thrust upon me in my Renaissance Literature class, but I loved it enough (and the book is large enough) to warrant a place on this list! Flux and The Sun & Her Flowers are both poetry, while Pond is an autobiography. The rest are fiction, and I believe out of all of them I enjoyed Circe the most, no matter the 4 star rating. I hope spring brings just as many positive reads as winter did! (You can find reviews for all of these books on the homepage.)

Movies Seen

  • It, (dir.) Andy Muschietti
  • Mother! (dir.) Darren Aronofsky
  • Captain Fantastic (dir.) Matt Ross
  • The Lure (dir.) Agnieszka Smoczynska
  • Lady Bird (dir.) Greta Gerwig
  • Very Good Girls (dir.) Naomi Foner Gyllenhaal
  • Call Me by Your Name (dir.) Luca Guadagnino

—I’ve been watching reruns of my favorite show, Vikings, for the most part of winter, but in the meantime these amazing movies found their ways into my heart…especially Captain Fantastic. Lady Bird and Call Me by Your Name were amazing as well, and I cried during both. I’m going to see Black Panther this weekend and I have a feeling it’ll be another winter hit to add to the list! The Lure is a Polish rock-opera type film with mermaids who work in a strip club. Yeah, you just read that.

New Favorite Music

  • gun shy / widowspeak
  • portuguese knife fight / cage the elephant
  • fountain of youth / local natives
  • sure as spring / la luz
  • in the aeroplane over the sea / neutral milk hotel
  • i’m writing a novel / father john misty
  • the spell / naomi punk
  • deer creek canyon / sera cahoone
  • always forever / cults
  • so says i / the shins
  • all apologies / nirvana
  • ancient names (part 1) / lord huron
  • sister / the black keys
  • miracle mile / cold war kids
  • congratulations / MGMT
  • tangible intangible / fly golden eagle
  • happiest man on earth / broken back
  • ruby carol / dan sartain
  • silver lining / guards
  • fire in the sky / palace
  • st.walker / young the giant
  • black beak / young blood hawke
  • so what / the mowgli’s
  • the deep end / hurricane bells

—A bunch of these are fairly old but it’s my first time really getting into the vibe of them. The rest are all recent hits that I’ve been subjected to listen to while working at Free People… and needless to say they’ve grown on me. I really love Widowspeak and Cage the Elephant. You can listen to this playlist here on my Spotify.

October Film Recommendations

Happy first of October! We’re finally in the best month of the year. I’ve waited a whole year for this time to come again, and so far the last twelve hours have been treating me just right. Everything about this season from the food, the music, the clothing, and the television shows makes me nostalgic and longing for an eternal autumn. That being said, I’ve compiled a list of some of my favorite Halloween flicks and shows so you can Netflix-and-Kill all month long (please tell me at least one person snorted).

Let me know which are your favorites! And if theres any I’ve missed, I’m all for new recommendations so hit up my messages below. Enjoy!

  • Hocus Pocus (1993)
  • The Nightmare Before Christmas (1993)
  • Halloween (1978)
  • Scream (1996)
  • Beetlejuice (1988)
  • The Addams Family (1991)
  • Halloweentown High (1998)
  • Corpse Bride (2005)
  • Coraline (2009)
  • The Craft (1996)
  • Monster House (2006)
  • Sleepy Hollow (1999)
  • A Nightmare on Elm Street (1984)
  • Edward Scissorhands (1990)
  • Saw (2004)
  • The Haunted Mansion (2003)
  • Practical Magic (1998)
  • Scary Godmother (2003)
  • Carrie (1978)
  • Twitches (2005)
  • Warm Bodies (2013)
  • Ginger Snaps (2000)
  • The Blair Witch Project (1999)
  • Hellraiser (1987)
  • Scream Queens (2015-16)
  • It (1990, 2017)
  • The Shinning (1980)
  • The Hills Have Eyes (1997)
  • The Babadook (2014)
  • Insidious (2010)
  • Friday the 13th (1980)
  • The Conjuring (2013)
  • The Silence of the Lambs (1991)
  • The Birds (1963)
  • Train to Busan (2016)
  • Zombieland (2009)

Jeannette Walls: The Glass Castle Q+A

glass castle beachJust this previous week I was lucky enough to see a screening of the book adaption The Glass Castle thanks to Lionsgate. The book is written by Jeannette Walls and the movie was directed by Destin Daniel Cretton. The story follows four siblings as they are raised on the run, constantly moving from home and adapting to their new environments. Their parents are wild, carefree, and reckless, but they’ve also taught their children a way to experience the world that no other kids in their predicament ever could understand. That nostalgia is what ignites a moment of reflection for Jeannette as she is on her way to a fancy event in New York City and looks out her taxicab to see her mother picking through a dumpster. The Walls parents are found squatting in an abandoned building on the Lower East Side, having traveled half way across the country to the city so they can be near their children who’ve only ever wanted to distance themselves from their dangerous childhood.

The movie was a brilliant adaption of the book, staying true to every plot and characteristic while also keeping the more morbid and troublesome to read scenes slightly less dark. If anything, the movie was a tad lighter and more peaceful than the chaotic wilderness of the book, but both the novel and the film ended on a similar note with the same intended message.

Brie Larson was phenomenal and played the part of Jeannette as though she had taken in a part of her soul. You could really see it in the actor’s eyes how deeply connected she became with her character, especially because the book is a biography and the author was revealed to often be on the set of the shoot. It was magical to watch unfurl, and there were numerous times where I had to hold back tears.

During a Q&A interview with the Jeannette Walls, Naomi Watts, and Brie Larson, the women of the Glass Castle movie spoke about their time on set, getting to adapt to their characters, and learning from the story the importance of empowering yourself. The whole atmosphere of the event was saturated in deep conversations about inner strength. Walls is a remarkable speaker as well! Occasionally I’ve notice some authors who aren’t the strongest public speakers, but Jeannette could be on TED with how well she communicated with us all.

A member of the press asked “The tension between self-preservation and care for others is a theme throughout the entire film, and I would love to hear your experiences dealing with this both as an individual and when in the film.” Jeannette then tells us all that this is something she has wrestled with for most of her life because she is a survivor. She then explains that while many people have asked her how she could forgive her parents for all that they have caused her, she believes the only person she needed to forgive was herself.

Jeannette explained that “we who pull ourselves up by the bootstraps and have to make some tough choices to get by are a bit selfish. And that was one of the transformative things about watching this movie— seeing Brie Larson making these tough choices. I loved her and was rooting for her in a way that I never loved or rooted for myself. It was kind of magnificent.”

The Glass Castle is now in theaters everywhere and you can watch the trailer by clicking right here. I highly recommend bringing your tissues! It’ll be an emotional ride.